Fatehpur Sikri was the imperial city of the Mughal dynasty between 1571 and 1584. Built by the Mughal emperor Akbar, this royal city is one of a kind. The architectural grandeur of this deserted city cannot be described in words and one can only experience the aura of its magnificent edifices by seeing them.

The buildings within Fatehpur Sikri are a unique blend of different architectural traditions. Though the general layout and concept of the buildings conform to the Islamic style of architecture, the actual buildings (mainly palaces) their ornate columns, arches, carving style, etc., show a strong Hindu style in general and that of Gujarat and Rajasthan in particular.

Akbar was the greatest of all the Mughal rulers and one of the best to have ruled India. In 1556, he ascended the Mughal throne at the tender age of 14, after the sudden demise of his father, Humayun. As soon as he consolidated his power, he turned his attention towards building an imperial capital in Agra. The result was the Agra Fort, which not only served military purposes, but was also the royal residence. Most of the buildings within the precincts of this magnificent Red Fort are a mixture of different architectural styles. The unique integration of these different styles has given the buildings and palaces within the fort a distinctive look. The assimilation of the different architectural styles was the reflection of the period of prosperity and social tolerance, which was the hallmark of Akbar's administration.

However, in the course of time, Akbar decided to shift his capital to Fatehpur Sikri near Agra. Akbar used to visit the hamlet of Sikri to take the blessings of the great Sufi saint Salim Chisti in order to have an heir to his throne. Akbar's visitations were fruitful, for he was blessed with three sons. The new city, built on a ridge, grew into a magnificent township larger than contemporary London.

At Sikri the various royal palaces have been built in Gujarati and Rajasthani architectural styles, using tabulate construction ornate columns, fanciful jali work (intricately perforated decorative stone screens) sumptuous carving and surface ornamentation. These small palaces are largely a sequence of connected rectangular courtyards; these are aligned with the polar axes and so have to be grouped in a staggered formation across, the top of the narrow diagonal ridge. The overwhelmingly Hindu architectural vocabulary, however, cannot conceal the Islamic norms followed in the large-scale planning that is supposed to have derived from Arab and Central Asia tent compartments.